Escaping Accra, again, this time stuffed in a crowded car between my brother and grandmother. We roll across the dirt, the broken highway, the speed bumps and potholes and into greener mountains, rolling hills, heavy skies and cooler breaths. Out into the village.
It was a different world there. But so comically reflective of Ghaliwood- Africa Magic- that I recognized it somehow. I was on the set with the same old women wrapped in cloth in the cement compounds painted blue and light pink, goats, chickens, naked children weaving through. Saw the men drinking palm wine, which they always do too much of in the films, and got to see the process of "tapping" palm trees, a term thrown about quite often, always to my confusion. The Actually it was a Togolese man who explained it to me, and he only spoke French, so there I was wracking my brain to understand him, and surprisingly I got most of it... The tree is felled and you "coupe, coupe" the branches till it is smooth, then notch a little hole out of which the sweet, thick, whitish wine
out of the forest. Cocoa, plantains and bananas shade the growing pineapple,
The cassava is grown by planting this stick, whereas the yam and cocoyam are planted like potatoes, using a sprouting eye. Pineapples are grown by simply chopping off the spiky top and sticking it in soil, and
cocoa trees are grown from seed and
the houses so we only walked five minutes to get there... but this was a small village. We cooked eggs and tea on a little coal stove and bathed with one bucket. This was the village my whole host family (Dad, uncles, aunts and older cousins) grew up in, this was their place, their home, their childhood. It is pretty incredible to see just how far they have gotten- living in this house, with a pool and three cars in the drive.
So the point of it all was a funeral, but for me that ended up being just the excuse. I saw a dead body for the first time and was at a burial, which was a Christian burial and nothing very "traditional", and went to the party
Three Elements. Labadi Beach, December
Le Matin
On the trotro, small girl, wide eyes on her mama's back, neck craned around to stare me down. No smile. No frown.
I walk down past where the hoards are yet sparse,
walk and buy some coco a millet porridge, poured in a bag with sugar. 2o peswas. Walk small bit further,
buy a bowfloat- fried corn dough, sweet sour, 30 peswas. I now have a full meal for just about 35 US cents...
Thin World. Volta Region, January
and women, uniform clad youth like myself, and early sellers. Shake off the 4 year old Sudanese refugee clasping my wrist. This child's skill thus far in life is being able to identify those who might have some coins or loose pockets and latch on to them. They are trained not to cross the street, not to be aggressive, just to implore with dirt rimmed eyes.
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Then he looks at me, as I look back, smiling, his lips- Receive it.
Receive it. Receive it. It came into me, and I did, but what does it mean? Receive the day, receive my blessing, receive each moment, receive the sun rays... like a poem or a riddle it played through my head, walking past my reflection- green with white flowered dress down to my knees, brown sandals, black rubber with hot breakfast inside. Past a small girl's face pressed up against the glass, squished nose, this is the world, past woman in her compound in one long ntoma piece of cloth, cup in hand, toothbrush scrubbing. Past morning, past frying doughnuts, past steaming rice
and bread and egg and up to the little white and blue AFS.
office to sit and take my meal in the cool of morning, the quiet behind these walls, a different day beginning.
Looking Down. Cape Coast Castle, January
And finally, though it is not entirely related, here reads a passage from one of my favorite books, The Prophet.
Shrimp. Volta Region, January
And he said:
Have I spoken this day of aught else?
Is not religion all deeds and all reflection, And that which is neither deed nor reflection, but a wonder and a surprise ever springing in the soul, even while the hands hew the stone or tend the loom?
Who can separate is faith from his actions, or his belief from his occupations?
Who can spread his hours before him, saying "This is for God and this is for myself; This is for my soul, and this other is for my body?"
All your hours are sings that beat through time from self to self.
He who wears his morality but as his best garment were better naked.
The wind and the sun will tea no holes in his skin.
And he who defines his conduct by ethics imprisons his song-bird in a cage. "
There, something to chew that should be thoroughly digested by the time I write again...